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Cal 97 Arizona Graphic Arts Center Pub Co? Fred Hirschmann? GraphicArtsCenterPubCo? FredHirschmann? Substores-UnknownASINs-35 Subjects-Travel-UnitedStates-Regions-West-General? Useable Portable Guide ; Microsoft Windows 3, Wordperfect for Windows and Excel Business One Irwin Computer? Jon Haber? BusinessOneIrwinComputer? JonHaber? Substores-UnknownASINs-35 Subjects-Computers&Internet-Software-Spreadsheets-MicrosoftExcel-General? Subjects-Computers&Internet-Software-WordProcessors&Editors-WordPerfect? Subjects-Computers&Internet-General? Albrecht at Americas Serv (4 Bks) Longman Higher Education? LongmanHigherEducation? undefined undefined Guide to Preparing Board Reports Irwin Professional Pub? Jerry Miller? IrwinProfessionalPub? JerryMiller? Substores-UnknownASINs-35 Subjects-Business&Investing-BusinessLife-Communication-Meetings&Presentations? Subjects-Nonfiction-Crime&Criminals-Criminology? Bank Secrecy Act Compliance Probus Professional Pub? Robert E. Powis? ProbusProfessionalPub? RobertE.Powis? Substores-UnknownASINs-35 Subjects-Business&Investing-General? Survey Bank Personn Policy Practic William C. Brown? BAI? WilliamC.Brown? BAI? Substores-UnknownASINs-35 Subjects-Business&Investing-Industries&Professions-Accounting-Financial? Subjects-Business&Investing-Industries&Professions-Accounting-General? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Accounting-Financial? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Accounting-General? Subjects-Professional&Technical-Accounting&Finance-Accounting-General? A Footnote to History Indypublish.Com? Robert Louis Stevenson? Indypublish.Com? RobertLouisStevenson? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-British-General? Subjects-Biographies&Memoirs-Historical-General? Fund Investing Irwin? Engel? Irwin? Engel? Substores-UnknownASINs-35 Subjects-Business&Investing-Finance? Hornblower's Ships and Their Models Lyons Pr? Martin Saville? LyonsPr? MartinSaville? Substores-UnknownASINs-35 Subjects-History-World-General? Essential Pool Lyons Pr? Arthur Cranfield? LyonsPr? ArthurCranfield? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-OutdoorRecreation? Subjects-Sports-IndividualSports-Billiards&Pool? Subjects-Sports-General? Fantastic Fables Indypublish.Com? Ambrose Bierce? Indypublish.Com? AmbroseBierce? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Literary? Fantastic Fables Indypublish.Com? Ambrose Bierce? Indypublish.Com? AmbroseBierce? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Literary? Bridges of Madison County Dove Entertainment Inc? Robert Waller? DoveEntertainmentInc? RobertWaller? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Notes on a Journey from Cornhill to Grand Cairo Indypublish.Com? William Makepeace Thackeray? Indypublish.Com? WilliamMakepeaceThackeray? 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RichardDIrwin? JerryS.Rosenbloom? Substores-UnknownASINs-35 Subjects-Business&Investing-General? Painting on the PC A Non-Artist's Drawing Guide to PC Paint, Dr Halo, Publisher's Paintbrush, and Many Others Richard D Irwin? Deke McClelland? RichardDIrwin? DekeMcClelland? Substores-UnknownASINs-35 Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-Authors,A-Z-McClelland,Deke? Manufacturing Principles and Practices Seminar Proceedings April 24 26 April 24-26, 1989, Chicago, Illinois (04131) Amer Production & Inventory? Ill.) Manufacturing Principles & Practices Seminar (1989 Chicago? AmerProduction&Inventory? Ill.)ManufacturingPrinciples&PracticesSeminar(1989Chicago? Substores-UnknownASINs-35 Subjects-Business&Investing-Management&Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership? The Foxpro 2.5 Codebook Business One Irwin Computer? Yair Alan Griver? 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BenButterworth? PennyIves? undefined undefined Animals on the Move Wright Group/ Mcgraw-Hill? Jeff Bevington? WrightGroup/Mcgraw-Hill? JeffBevington? undefined undefined The Changing Earth (Set of 6 Books With Teachers Notes) Wright Group/ Mcgraw-Hill? WrightGroup/Mcgraw-Hill? undefined undefined Search for the Past Wright Group/ Mcgraw-Hill? Robin Place? WrightGroup/Mcgraw-Hill? RobinPlace? undefined undefined Urban Politics and Social Conflict Worcester, Massachusetts, in the Nineteenth Century Paragon House? Robert J. Kolesar? ParagonHouse? RobertJ.Kolesar? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-State&Local-Massachusetts? Tales of the Caribbean (Including Teachers Notes) Wright Group/ Mcgraw-Hill? Evan Jones? Jenny Norhteay? WrightGroup/Mcgraw-Hill? EvanJones? JennyNorhteay? undefined undefined Tales of the British Isles Wright Group/ Mcgraw-Hill? Kenneth McLeish? Derek Collard? WrightGroup/Mcgraw-Hill? KennethMcLeish? DerekCollard? undefined undefined Read Along Rhythms Wright Group/ Mcgraw-Hill? WrightGroup/Mcgraw-Hill? undefined undefined Scientist/Prepack 6 Small Books Wright Group/ Mcgraw-Hill? WrightGroup/Mcgraw-Hill? undefined undefined Stormy Weather/Prepack 6 Small Books Wright Group/ Mcgraw-Hill? WrightGroup/Mcgraw-Hill? undefined undefined First Nature Watch (Books Thirteen - Eighteen) Wright Group/ Mcgraw-Hill? Mirelle Delon-Boltz? WrightGroup/Mcgraw-Hill? MirelleDelon-Boltz? undefined undefined Sunshine Series Level One Set D Wright Group/ Mcgraw-Hill? Joy Cowley? WrightGroup/Mcgraw-Hill? JoyCowley? undefined undefined Hiding Place Watershed Tapes Cassettes? Jorie Graham? WatershedTapesCassettes? JorieGraham? undefined undefined Sunshine Books Level Eleven Wright Group/ Mcgraw-Hill? Margaret Mahy? George Ciantar? WrightGroup/Mcgraw-Hill? MargaretMahy? GeorgeCiantar? undefined undefined Wesley and the Dinosaurs Encounter of the Most Mischievous Kind Wright Group/ Mcgraw-Hill? Hobhouse S.? WrightGroup/Mcgraw-Hill? HobhouseS.? undefined undefined Fables from Aesop Thirteen to Eighteen/6 Wright Group/ Mcgraw-Hill? Val Biro? WrightGroup/Mcgraw-Hill? ValBiro? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? My Wonderful Aunt Story Three Wright Group/ Mcgraw-Hill? WrightGroup/Mcgraw-Hill? undefined undefined My Wonderful Aunt Story Five Wright Group/ Mcgraw-Hill? WrightGroup/Mcgraw-Hill? undefined undefined Terrible Tiger Wright Group/ Mcgraw-Hill? Joy Cowley? WrightGroup/Mcgraw-Hill? JoyCowley? Substores-UnknownASINs-35 Subjects-Children sBooks-Baby-3-General? Old Grizzly Wright Group/ Mcgraw-Hill? WrightGroup/Mcgraw-Hill? undefined undefined Tiny Women's Coat Wright Group/ Mcgraw-Hill? Joy Cowley? WrightGroup/Mcgraw-Hill? JoyCowley? Substores-UnknownASINs-35 Subjects-Children sBooks-Baby-3-General? Just This Once Wright Group/ Mcgraw-Hill? WrightGroup/Mcgraw-Hill? undefined undefined Mrs Grindy's Shoes Wright Group/ Mcgraw-Hill? 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Management Guidelines for Iucn Category V Protected Areas Protected Landscapes/Seascapes (Best Practice Protected Area Guidelines) World Conservation Union? Adrian Phillips? WorldConservationUnion? AdrianPhillips? Substores-UnknownASINs-43? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Science-Nature&Ecology-Environment-Conservation? Draft International Covenant On Environment And Development World Conservation Union? WorldConservationUnion? ユーズドブック(洋書)-Law? Subjects-Business&Investing-Economics-NaturalResources Subjects-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-Economics-NaturalResources Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Law-Environmental&NaturalResourcesLaw? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-Nature&Ecology-Environment-Conservation? Reducing West Africa's Vulnerability to Climate Impacts on Water Resources, Wetlands, And Desertification Elements for a Regional Strategy for Preparedness And Adaptation World Conservation Union? Madiodio Niasse? Abel Afouda? Abou Amani? WorldConservationUnion? MadiodioNiasse? AbelAfouda? AbouAmani? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? 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Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Taming the Dragon Transforming Economic Institutions in the Face of Global Change (International Studies in Global Change) Gordon & Breach Science Pub? Carlo Jaeger? Gordon&BreachSciencePub? CarloJaeger? Substores-UnknownASINs-43? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Elephants and Whales Resources for Whom Gordon & Breach Science Pub? Milton M. R. Freeman? International Association for the Study of Common Property Meeting 199? Urs P. Kreuter? Gordon&BreachSciencePub? MiltonM.R.Freeman? 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Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-History&Theory? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Der NAWU- Report Wege aus der Wohlstandsfalle. Strategien gegen Arbeitslosigkeit und Umweltkrise Fischer S. Verlag GmbH? Hans Christoph Binswanger? Werner Geissberger? Theo. Ginsburg? FischerS.VerlagGmbH? HansChristophBinswanger? WernerGeissberger? Theo.Ginsburg? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-SocialSciences-Anthropology-Sociobiology? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Arbeit ohne Umweltzerstoerung Fischer S. Verlag GmbH? Hans Christoph Binswanger? Heinz Frisch? Hans G. Nutzinger? FischerS.VerlagGmbH? HansChristophBinswanger? HeinzFrisch? HansG.Nutzinger? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Die Regenbogen - Gesellschaft. Oekologie und Sozialpolitik Fischer S. Verlag GmbH? Joseph Huber? FischerS.VerlagGmbH? JosephHuber? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-SocialSciences-Sociology-History? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Integration Through Law Environmental Protection Policy (Series a, Law) Walter De Gruyter Inc? Eckard Rehbinder? R. Steward? Patrick Del Duca? WalterDeGruyterInc? EckardRehbinder? R.Steward? PatrickDelDuca? ユーズドブック(洋書)-Law? Substores-UnknownASINs-43? Subjects-Business&Investing-Economics-NaturalResources Subjects-Law-One-L-ConstitutionalLaw? Subjects-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-Economics-NaturalResources Subjects-Nonfiction-Law-One-L-ConstitutionalLaw? Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? Subjects-Professional&Technical-Law-Environmental&NaturalResourcesLaw? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Unilateral Environmental Policy and International Competitiveness (Kieler Studien, 299) Kiel Inst of World Economics? Christian M. Scholz? Frank Stahler? 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The Economics of International Environmental Problems Kiel Inst of World Economics? Universitat Kiel Institut Fur Weltwirtschaft? Horst Siebert? KielInstofWorldEconomics? UniversitatKielInstitutFurWeltwirtschaft? HorstSiebert? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-International? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-International-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Kulturlandschaftsforschung (iff-Texte Bd. 5) Springer Verlag Wien? Helmut Haberl? Gerhard Strohmeier? SpringerVerlagWien? HelmutHaberl? GerhardStrohmeier? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Wie moechten wir in Zukunft leben. Der harte und der sanfte Weg. Beck C. H.? Klaus Michael Meyer-Abich? Bertram Schefold? BeckC.H.? 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Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Fundamente der Oekonomie. Oekologie und Kultur Gabler, Betriebswirt.-Vlg? Peter Bendixen? Gabler,Betriebswirt.-Vlg? PeterBendixen? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Gabler Kompakt- Lexikon Umwelt- und Wirtschaftspolitik. 2800 Begriffe nachschlagen, verstehen, anwenden Gabler, Betriebswirt.-Vlg? Michael Olsson? Dirk Piekenbrock? Gabler,Betriebswirt.-Vlg? MichaelOlsson? DirkPiekenbrock? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Struktur und Entwicklung von Umweltschutzaufwendungen in der Industrie Duncker & Humblot GmbH? Rolf-Ulrich Sprenger? Duncker&HumblotGmbH? Rolf-UlrichSprenger? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Ein Planet wird gerettet. Eine Chance fuer Mensch, Natur, Technik Econ, Muenchen? Friedbert Pflueger? Econ,Muenchen? FriedbertPflueger? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Global Monitoring of Terrestrial Ecosystems John Wiley & Sons Ltd (Import)? 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Subjects-Nonfiction-Economics-Theory? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Weil ich ein Lied hab'. Die Politik einer Umweltministerin Piper Verlag GmbH? Monika Griefahn? Anne. Buhrfeind? PiperVerlagGmbH? MonikaGriefahn? Anne.Buhrfeind? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Umweltvertraeglichkeitspruefung in der Europaeischen Gemeinschaft Schmidt Erich Verlag? Reinhard Coenen? Juliane Joerissen? SchmidtErichVerlag? ReinhardCoenen? JulianeJoerissen? ユーズドブック(洋書)-Law? Subjects-Business&Investing-Economics-NaturalResources Subjects-Law-Business-Labor&Employment? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Nonfiction-Law-Business-Labor&Employment? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Grundlagen der Umweltberatung. Ziele, Inhalte, Modelle Schmidt Erich Verlag? Hans-Peter Obladen? SchmidtErichVerlag? Hans-PeterObladen? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Die Organisation des betrieblichen Umweltschutzes Schmidt Erich Verlag? Manfred Matzel? SchmidtErichVerlag? ManfredMatzel? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Geld und Natur Ed. Erdmann, Stuttgart? Hans Christoph Binswanger? Ed.Erdmann,Stuttgart? 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Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Dictionary of Renewable Resources Vch Verlagsgesellschaft Mbh? Hans Zoebelein? Volker Bollert? VchVerlagsgesellschaftMbh? HansZoebelein? VolkerBollert? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? 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Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Umweltschutz im Betriebsalltag. Praxis und Perspektiven oekologischer Arbeitspolitik Westdt. Vlg., Wiesbd.? Martin Birke? Michael Schwarz? Westdt.Vlg.,Wiesbd.? MartinBirke? MichaelSchwarz? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Oekologische Zivilisierung. Verhalten in der Umweltkrise Wissenschaftl.Buchgesell.? Walther Koesters? Wissenschaftl.Buchgesell.? WaltherKoesters? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Umwelt und Entwicklung in den Tropen. Naturpotential und Landnutzung Wissenschaftl.Buchgesell.? Walther Manshard? Ruediger Maeckel? Wissenschaftl.Buchgesell.? WaltherManshard? RuedigerMaeckel? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Efficient Conservation of Crop Genetic Diversity Theoretical Approaches and Empirical Studies Springer? Detlef Virchow? Springer? DetlefVirchow? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? 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Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Water Resources of North America Springer? Asit K. Biswas? Springer? AsitK.Biswas? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Engineering-Civil-Environmental-Groundwater? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-Groundwater? 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Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources European Regional Growth (Advances in Spatial Science) Springer? Bernard Fingleton? Springer? BernardFingleton? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Urban&Regional? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Finance-Finance&Investing? Subjects-Business&Investing-General? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-Urban&Regional? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Finance-General? Subjects-Professional&Technical-Accounting&Finance-Finance-Finance&Investing? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Urban&Regional? 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Cuba (World in View) Heinemann Young Books? Emily Morris? HeinemannYoungBooks? EmilyMorris? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-People&Places? Technologies of Gender (Language, Discourse, Society) Palgrave Macmillan? Teresa De Lauretis? PalgraveMacmillan? TeresaDeLauretis? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-History&Criticism-UnitedStates-LiteraryTheory? Subjects-Nonfiction-Women sStudies-FeministTheory? Pri Maths 5 TB Cameroon Macmillan Education Ltd? Amin M? MacmillanEducationLtd? AminM? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Math? Look After the Land (Egret Readers Series Environmental Science Health Readers in English) Macmillan Education Ltd? I. Carter? MacmillanEducationLtd? I.Carter? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Agriculture? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? 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https://w.atwiki.jp/ketcindy-eng/pages/22.html
============================================= Draw the standard form of the parabola and explain the focus and the directrix, etc. #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (title=) parabola.zip Put a geometric point A on the x-axis. Putpoint("O",[0,0]); Paramplot("1","[t^2/4/A.x,t]","t=[-3,3]"); ／／ Draw the parabola with the parameter. Putoncurve("P","gp1",[0,3]); ／／ Put a geometric point P on the parabola and we can move P in the range of x from 0 to 3. Putpoint("H",[-A.x,P.y]); Putpoint("B",[-A.x,0]); ／／ Put two geometric points H, B with the x-coordinate -A.x. Putpoint("C",[-A.x,YMAX]); ／／ Put a geometric point C in order to write the name of the directrix. Setcolor([0.7,0,0,0]); ／／ The following lines have the color cyan. Lineplot("1",[B,B+[0,1]]); Listplot("1",[A,P,H]); Segmark("1",[A,P],["Type=1","Size=0.5"]); Segmark("2",[P,H],["Type=1","Size=0.5"]); ／／ These marks represent that AP=PH. ／／ "Type=1" means only one line and "Size=0.5" means 0.5 times of the default length. Paramark([B,H,P],[0.5]); ／／ Put the right angle mark at H. Remark the order of three points B, H, P. Setpt(3); ／／ Set 3 times of the default size of the following points. Drawpoint([A,P,H]); ／／ Put three points A, P, H. Setcolor("black"); Expr([A,"s1","p",-A,"s1w","-p",C,"n","\ell"]); Letter([P,"s1e","P$(x,\,y)$",A,"nw","F",H,"w1","H"]);
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第二幕 城の地下室。奥に梯子がある。 第１場 手にランタンを持ったジョルジョが公爵の様々な部下を地下室に招き入れる。あとからトルヴァルド Giorgio いいぞ、いいぞ、ここに来い 誰も見てない、俺についてこい ここで疑いの影なしに 自由に語り合おう Coro ここで疑いの影なしに 自由に語り合おう Giorgio ここで話し合おう、素晴らしい友たちよ あの不幸なお二人を救うことについて 結論として復讐するんだ あの人でなしに、あの悪党に 何かそれについて言うことがあるか？ Coro そうしよう。 ジョルジョさんよ、恐れるな 我ら皆に命じてくれ こんな野蛮な迫害は いつかは終わるのだ Giorgio このたびは、ああ これは本当に唐突なことではない いい時機だ、すでにいくつかのことを おまえたちに話したが、いま残りを話そう、だがわれらの囚われ人は決して追われないのなら、どこへ行くのか？ ああ、ああ！新たな住居に 彼を移すことを考えよう こちらへ Torvaldo （召使たちを見やり立ち止まって） おお私の… Giorgio あなたも 自由に話してください、心配せずに。 ここではみなあなたのことを思いやっているのです。 Torvaldo さて… Giorgio 手短に言うと、奥様には もうすべて知らせております。 すでに悪名高きわれらの主に ついに反抗すると合意しました 我々を助けてくれる60人の兵士のうちの 何人かがここにいます。夕暮れが その時で、力を合わせ、 近所の者は皆武器をとります。 そのすばらしい連中が現れるよう 口笛の合図があり、そして即座に 鐘を打ち鳴らし 城の門を開け放します 村人たちが、兵士たちが、我らが、 つまりは、夜の初めに大事を起こすのです。 ああ何かおっしゃることは？ Torvaldo 天がそれを望むのか、だが… Giorgio だが何か？… Torvaldo そんな野蛮なことをして 私の命は大丈夫か？ Giorgio おお、そこですよ！ そこはよく注意を払いたいものです！ 牢獄の鍵は 私の手元にはないのですが、奴がここへ来るときは 私も来ますので、ご心配なく。 Torvaldo ああ、とりあえず私に言ってくれ、 よき人よ、優しい私の連れ合いが あの仇の手のうちにあるのだ… Giorgio おお、それは… ああ！あなたの奥様は女性ですが、 醜い顔に服従してはいません。 いまやその時です。私は声高に叫びます あなたは気高い心をもっていらっしゃると。 Torvaldo ああ、いますぐに 聞いてくれ、ああ、私に言ってくれ、素晴らしき友よ、 新たに。 彼女だけが私の心の中にいる 彼女のためだけに私は苦しんでいる 名誉ある名をよぶのだ、 その… Giorgio 熱意をもって Torvaldo いや、聞いてくれ Giorgio 聞きましょう Torvaldo 彼女を取り返すことだけが 私の思いだ その望みを遂げるのを見さえすれば それから死のう。 彼女を護って死ぬ 強き心とともに死ぬ いや、死ぬなどと口走ってはならん、 彼女を犠牲にしてはならない Giorgio さあ、行きますよ Torvaldo ああ、聞いてくれ！ Giorgio おお冷静に！ Torvaldo わが妻を、わが喜びを、 すばらしき友たちよ、守ってくれ！ Giorgio e Coro 救いましょう、ご心配なく、 ここであなたのため戦いましょう。 Torvaldo ああこの腕に いま私も武器をとることができたら！ あの仇に 死と劫罰を下すのを見せてくれ Giorgio e Coro ご心配なく、われらがあの敵を われらがあなたの無念を晴らすことができるでしょう （退場） 城の一室 第２場 公爵、後からジョルジョ、そのあと左手に立つドルリスカ Duca いや、後悔など役に立たぬ。賽は投げられたのだ。 彼女は、そうだ、俺のものだ。俺の企てに 誰が抵抗できる？どこの権力者にも 俺の名は恐れられている、われらの日々は すべて金でどうにでもになる。そして金は 俺を裏切らない。他の より困難な企ても ここでは始めることができるのだ。 そして今や勝利は手中にあり、我らが 臆病者に屈することなどできようか？…いやない。 余計な恐れなどは今は彼方に去った。不意打ちや、自責や、 空虚な名前を感じて、おまえに気遣うことなない、 愚かな庶民は俺を 悪辣だの、暴君だの、残酷だの、無慈悲だのと呼ぶが うむ、俺はそういうものの手本として幸せで満たされておる おい。 Giorgio 仰せの通りに Duca ドルリスカを俺のもとへ Giorgio 連れてまいります Duca （彼を呼び止めながら） ああ―よく見ておけ！ 囚人の門が すべて閉めてあるかをな？…おい、おまえの頭は… Giorgio ほかの方に仕える気なんて、起こりませんよ 疑わないでください、ご主人様、お仕えいたしますよ Duca （ドルリスカの部屋に向かって歩いて戻ろうとした ジョルジョに向かって） 愚か者め！ Giorgio （後ずさりしながら） 私におっしゃってるんで？… Duca ケダモノめ！… 奴は俺の力で倒したはずだったのだ…それが 哀れなおまえはそうさせなかった！…だがなんと 俺は奴が地に倒れ死んだと信じていたんだ！それで俺は 奴を見誤るところだった！ Giorgio （勇気を取り戻して） ああ確かに。私にその罪はありませんぞ。 彼に会ったことなどないのですから、それに、なんと 私のもとへ それは哀れな格好で まずずる賢い罠を仕掛けるような 甘い話をしながら近づいてきたもんで。 Duca もうよい、あの女を来させろ （ジョルジョはドルリスカの部屋へ入る） そうだこの手が 最も手早い。優しさが無駄ならば 恐怖が役に立つというものだ。 （ドルリスカがジョルジョとカルロッタに連れられて入って来る。公爵はこの二人に退出するよう指示する。ジョルジョは正面の門から退出し、カルロッタはドルリスカの部屋へ戻る） ドルリスカ、トルヴァルドの 命はおまえにとって大事かね？ Dorliska （邪悪な！） Duca 黙れ？… おまえのために話してやろう 私の言うことを聞け、手短に 明白に話してやる。俺の権力をもってすれば 問題を解決する手段には事欠かんのだ 夫婦の契りを、俺を差し置いて トルヴァルドとおまえは結んだ。もしドルリスカが 俺のものとなると認めれば トルヴァルドは助けてやろう。もし拒めば、あいつは死ぬ。 あいつの運命は俺の手に託されている。 あいつに生か死かを与えるのは、おまえ次第だ。 Dorliska そんなことは聞きません！そんな過ぎたことは！ああ邪な。 邪悪な魂、世界中で最も邪悪な 悪辣な魂… Duca 別な時に きつい小言はとっておけ、いまは 決心する時だ Dorliska もういいわ、あなたは私を不幸に陥れた 元凶よ、 残酷で、 悪辣な事を成し遂げ、次から次へと罪を重ねた。 無実の人を陥れたのだから、 望みどおり、残酷な報いを受けるがいいわ！ 永遠に、残酷に、 あなたを憎むことを誓うわ Duca よく考えろ 後悔するぞ… Dorliska 私が後悔する？…ああ、いいえ！…絶対しない！ Duca 聞け… Dorliska 黙って、もう、あなたのことはよく解ってる 止めて、揺るがないわ、動かないわ 私の想いは。 ずっと私の憎しみの ずっと対象になるの！ そのあなたの残忍な姿は 私を不安にさせ、恐怖をもたらす。 おお情けぶかき神よ 私の心を見て 大いなる情けのうちに ああ私に耐えさせてください 私に勇気を与えて Duca それで？ Dorliska 無駄よ。 Duca 浅はかな！ 逆らうのか？…ああおまえを どんな不吉な運命が待っているか分からないのか？ Dorliska 言いなさいよ Duca 恐れよ！ Dorliska 何を？ Duca 死だ。 Dorliska ああひとたび 死が来るのだけを望み、 乞い願い、呼んでいるのに 遅れているの？どうしたの？ ああ！…すばらしき夫のために、 彼に誠実であるために死ぬわ！ 生きることよりも この死は私には喜ばしいこと。 愛する心へのその瞬間ほど 幸福な愛を与えるものはないでしょう （退場） 第３場 公爵、あとからジョルジョ Duca 愚か者め！…俺に逆らっても 無駄だということが分らんのか！ （歩き回って考える） ジョルジョ！ Giorgio ご主人様 Duca 彼が戻ってきたら オルモンドを俺のところに来させろ。俺は自分の部屋で 待っている。おい、おまえにはまた言っておくが、 奴の牢の鍵は おまえの手から離すなよ Giorgio おお、落ち着いて ここにあります。 （自分の腰を見せる） Duca 気をつけろ、俺の命令に おまえが一つでも背いたら おまえの首は宙に飛ぶぞ Giorgio ええ！まだついてますな。 （公爵は退場） 第４場 ジョルジョ、あとからドルリスカとカルロッタ Giorgio ああ、もう、すっきりしたいもんだ！ 企てがうまくいけば なんて嬉しくて、なんてすばらしいことか！…でも失敗したら？ （ドルリスカとカルロッタを見やる） Dorliska ジョルジョ！… Giorgio 奥様。 Dorliska ああ私の不幸に 少しでも哀れみを感じていると、あなたが心のうちで 言うのならば、私を救って…私を助けて… Giorgio なんと！ それを疑っておいでで？…あなただけのため 私はこの難問に向き合うのです Dorliska ああ、そうです！あなたの救いに 私のすべてを委ねます、でもその間に…おお天よ！… もし私の迫害者が… Giorgio それで？ Carlotta 彼女のご主人の 命を恐れているのよ Dorliska ああ、不幸なこと。 誰が、私の運命を、 彼の運命をどんな熱意で支配しているか知っているでしょう Giorgio ご心配なく。ご主人には 今はもうどんな不運も走り寄ることはできません。 彼は 閉じ込められていますが、私がお守りします。ここに鍵が。 Dorliska ああお願いですから、善き人よ、いますぐに 私を彼に会わせて！ Giorgio おおこの後に！ Dorliska 苦しめる花嫁を 拒むのですか、 無実な虐げられた者を 慰めを与えるのを？…ああ、みんな、みんな、 私には非情なのですね、 みんな残酷なのですね？ Giorgio おお、そんなことはありません、聞いてください… (見てくれよ、なんて要求だ！…公爵が今 本当に１５分以内に…もし戻ってきたら… ごめんだよ…）おお、いえ、いえ Dorliska ああ、不幸な私！ Carlotta ええ、ここへ彼を連れてきてよ Giorgio 俺が？…絶対に無理だ！そんな もし公爵が俺を探していたら？… Carlotta それなら、彼女と 私が行くわよ。 Dorliska そうよ。 Carlotta ここへ、いいひとなら。 Dorliska １５分でも Carlotta ほんの１０分でも Dorliska ジョルジョさん！… Carlotta お兄様！ Dorliska お願いです！ Giorgio はい、はい。（どうしよう？）こちらへ。 （鍵をカルロッタに渡して） 天が愛してくれんことを Carlotta ええ、急いで戻りましょう、行きましょう Dorliska 行きましょう。 善き人よ、あなたにお任せします。 Carlotta 信じてください。 Dorliska 私を励まして。 Carlotta おお、すぐに 十分安心できると希望を持ってください 心から、心から申し上げます すぐに苦しみと災いは終わりを迎えると。そのように 私は心から申し上げます、決して間違いはありません。 喜ばしき声が 私の心に響くのが分ります。 こう言いました、希望せよ、希望せよ。 運命が変わることを。 この苦悩は、この苦痛は すぐに、すぐに過ぎ去るであろう さあ！泣くのはやめ－彼に再会しましょう 彼と話せるでしょう－自由に （ジョルジョに） 心配しないで、急いで戻るわ （ドルリスカに） ここで元気を出して－絶対に （私も涙が出そう－耐えられないわ 哀れなおかた－お気の毒に 私はとてもやさしく－とても感じやすい 可哀そうな人に－そんな人なの） 第５場 ジョルジョ、あとから公爵 Giorgio 良くなるかはわからない、 悪くなるかもわからない、さあ、どうする？ いま後悔しても役に立たない。ついにはすこしずつ すべてうまくいくだろう 心配するようなことは少しもない。すべて準備はできた、 夜が近づいている すばらしい将校として すべてを見届けよう 俺の場所はちゃんとある すべてを見張っていよう、ああもしこの大事が この大事が本当にうまくいけば、 わが親愛なる公爵様…おおなんてこった、あいつがここに。 （公爵がジョルジョがいるのに気付かずに入って来る。 そして考えながら席に座る） Duca （立ち上がりながら） ああ無理だ！それを願っても無駄だ！ 俺の考えは偽らない。 あいつが生きている間は、俺が誘っても 一息のうちに無駄になる。 すべては整った。武器を手に 信じがたい一撃をくれてやる。 Giorgio おお何て顔つきだ！ 怒りを押し隠して！…おや、なんて目をしてるんだ！ 遠方で荒れ狂ってる 俺には不満なのが分るよ。 もっと静かに、静かに 用心深く踵を返そう （立ち去ろうとする） Duca ここでなにをしている、ジョルジョ Giorgio ご主人様 Duca 牢の、鍵を俺によこせ Giorgio 鍵を？…（なんてこった！）…はいこちらに！ （ああ誰か助けてくれ？哀れな俺！） Duca どうした？ Giorgio （困惑して） 探してるんですが… （思い出したふりをして） ああ、ばかなことを 私の部屋に－いま思い出しました 戸棚の中に－入れたまま閉めてました。 でもご心配なく…誓いますよ 私の手に－確実に 悪魔でさえも－見つけられませんから Duca 急げ、それが要るのだ。 Giorgio 行きます（なんて混乱する！ ああできるなら、ここから逃げ出したい！） （場の正面とは反対のほうへ歩き始める） Duca （気づいて） おい、どうしたんだ－そっちへ行くのか？ おまえの部屋は－あっちへ行くんじゃないか Giorgio ああ本当だ！馬鹿ですな－行って戻ります。 （ここに逃げ場はないぞ－どうする？ ああ表情が硬い－ここでどうしたい。 運命の女神よ、助けてください－お願いですから） （出る） （公爵は残って少しの間考えている、そのあとジョルジョが 部屋のほうから肩を落として入って来る） Duca そうだ、奴には死んでもらおう、オルモンド、オルモンドが 俺の目の前で一撃を食らわせるのだ そうだ、決まった。 Giorgio （突然足を投げ出して） ああ閣下… お情けを…お許しを… ああおしゃべり女が…むら気な女が… やられました…ああひどい！ Duca 何を言っとる？…わけがわからぬ！ Giorgio ああ…鍵が…ああ…お許しを！ Duca （怒って） 何だと？…鍵が？… Giorgio ありません Duca 誰が取ったんだ？… Giorgio 私の妹が… Duca （激怒して） 無いだと！…おまえの妹が？… ああ悪党め、ならず者め、 裏切り者め、俺と一緒に来い Giorgio ああご主人様、お情けを… 哀れな私に…どうなさるので？…ああ？ Duca 俺の疑念が現実になったのなら おまえは杖で 打ちのめして、骨を砕き。 粉々にして、あの世へと 駆け抜けさせてやろう。 Giorgio でも聞いてください…（狂ってる！） 哀れな私を！杖で？ 打ちのめす？骨を砕く？ （ああこの怒りは 誰がいま俺に来るようにさせたんだ？） （正面の門から出ていく。公爵は 獰猛にジョルジョを引きずっていく） 牢獄 第６場 トルヴァルドとドルリスカ、お互い離れた位置で。 およびカルロッタ Dorliska どうして私のところから離れようとするの Torvaldo そう、それは、 君と私を救うのに必要だからだ Dorliska ああ、あなたから離れていると 心が引き裂かれそうになるのを感じるわ。こんなところで、 あなたの運命を疑ってしまう、 希望と恐怖、苦痛と期待のはざまで、 ああ、私の苦しみをあなたに説明できない。 こんな永遠の別れを 私にあなたが言うのなら。 Torvaldo ああ言わないでくれ、私の愛しい人 私は君のため震えている。 Dorliska すぐにも死んでしまいそう！ Torvaldo こんな苦しみは決してない！ Dorliska e Torvaldo 死の苦しみさえも これほど残酷ではない Carlotta でもこれで、旦那様方、 いったんおしまいにしてください。本当に、もし公爵が あなたがたがの振る舞いを知ったら、 あの悪魔は破滅をもたらします、 可哀そうな私！あの冥府に私は落とされるわ。 （ずっと門のほうの動きを探っている） Dorliska さあ… Torvaldo もういい、勇気を。 親愛なるジョルジョが太陽が沈むまでに 救ってくれると約束したのだ。天がわれらに 救いを差し伸べてくれる。天は情け深く、公正で… Carlotta （遠くから） ああ不運な私！ Torvaldo 何だ？ Carlotta （驚いて） 公爵だわ！ああ私が言ったとおりに！ Torvaldo 何だって！ Dorliska 公正なる天よ！ 私たちに哀れみを！ Torvaldo 勇気を Carlotta 私は凍りつきそう 第７場 公爵が乱暴にジョルジョを引きずりながら、乱暴に入って来る。あとから兵士とともにオルモンド Duca 罪ぶかき連中め！…震えよ！… 俺から逃げようとしても無駄だ 裏切り者ども、いまは震えていろ、 俺の怒りに触れたのだ。 （ドルリスカに） おい、お嬢さん、この門は？ （トルヴァルドに） 俺から逃げるのか？… （ジョルジョとカルロッタに） おまえら俺を裏切るのか？ おまえらは皆俺の敵だ ここで皆死なねばならぬ 俺の怒りが満たされたのだ Dorliska ああ閣下、悪いのは私です、 すべて過ちです、ああすべて私のせいです。 私を信じて、落ち着いてください 私ではなく、彼らにお情けを。 Duca （ドルリスカに） ここで涙で媚びて 俺を誘惑しようとしても無駄だぞ 邪な心の、悪辣な奴め、 そうだ、おまえに情けなどかけぬ Torvaldo それは正しくない、盲目の愛による、 私こそがあらゆる不正の根源だ。 私を信じ、私の言うことを聞け、 私でなく、彼らに情けをかけろ。 Carlotta なんて思いがけない出来事！ なんという恐怖、なんという不安！ ああ聞いてください、落ち着いてください ああご主人様、私たちにお情けを Giorgio ああ俺にとって混乱する事態だ！ こんなに葉っぱのように震えている！ ああ私を忘れないでください ああご主人様、私にお情けを Duca （ドルリスカに） 来い Dorliska e Torvaldo やめろ Duca 無駄だ Torvaldo （勇敢に） 下がれ！ Duca （トルヴァルドを凝視して） おまえは逆らうのか？…そんな資格はないぞ Gli altri やめろ （鐘を打ち鳴らす音が聞こえる） Tutti （ジョルジョ以外） こんな音は決して聞いたことがない！ ああ夢か！…現か！… 考えねばならぬ Giorgio （過剰な陽気さで外に向かって） 万歳！いるぞ！ ここに友たちがいる。 （トルヴァルドに） 勇気を （ドルリスカに） 勇気を お遊びはもうすぐ 終わるでしょう Duca おまえは喜んどるな？…どうして？…おお腹立たしい！ 死ね、邪悪な裏切り者め （ジョルジョとに剣を抜きぶつかっていく） （ここにオルモンドを加えた合唱が聞こえる） Ormondo e Coro 急いで、ご主人様、－急いで、逃げてください ご自身を守ってください－お願いです Duca いったい何が起こった？ Ormondo ああ、あなたに災いが！ 村人すべてが－あなたに死を要求しています あなたの下僕どもが－門を開き 百人の兵士たちが－すでに入り込んで 戦っています－容赦なく Duca なんだと！…おお腹立たしい！ （カルロッタの手から鍵を奪い取り、それをオルモンドに渡して） おまえは向かえ、俺は逐電する おまえは守備をして残れ－この門を 俺を救ってくれ、おお運命よ－おおわが勇猛さよ 喜ぶなよ－俺が震えているからといって ほんのわずかのうちに－戻って来るぞ おまえらの血で－この日の 俺の復讐を－満たさねばならぬ Dorliska e Torvaldo ついにこの瞬間が！－なんと熱望してきたことか！ この恐るべき一撃が－あたりに響き渡る！ ああ運命は－この日に われらの運命に－従おう （公爵は兵士を連れたオルモンドとともに退場する） 第８場 トルヴァルド、ドルリスカ、ジョルジョ、あとからオルモンド Dorliska ああ私たちはどうなるのでしょう？ Torvaldo わが愛する人よ、こうなれば もう恐れることはない Giorgio おおまだ私は、 だがこれは四分の一にもなりません。仕掛けた罠の 全体の Ormondo （トルヴァルドの前にひざまずき、鍵と剣を差し出す） ああわが殿よ 命はお助けください、ここに鍵があります ここに武器も、お望みならば われらをお守りください、ですが… Torvaldo そうだな、鍵を その武器は私に、おまえの安全を、私は誓おう。 Dorliska, Carlotta e Giorgio でも、どこへ？… Torvaldo 少しの間だ これはあなたたちのところに、私が戻るまで… （ドルリスカを支えるようジョルジョに指示して、退場する） Dorliska おお天よ！ Giorgio 他の者はだれも従っていない Dorliska ああトルヴァルド！ Carlotta おおなんと恐ろしい！ Giorgio （オルモンドに） だが結局、公爵は？… Ormondo あいつは悪魔が連れ去るよ！ 今、あいつのせいで酷い目にあった。 走り回らされて この薄暗い牢獄に導かれ あらゆるところに攻撃を受け 守ろうとしたが、無駄だった… Dorliska 物音がしてきたわ Carlotta ああどこで身を守りましょう？… Coro （中から） それ、それ Giorgio なんと！ Dorliska ああ！ Ormondo そうなるか。 最終場 公爵がまっしぐらにトルヴァルドと大人数の村人と武器をとり追撃する兵士から身を守りながら現れる。 Coro さあ… Duca 下がれ Torvaldo （公爵を追い詰めて） 降参しろ、あなたの負けだ。 Duca おお怒りが！ Torvaldo 刀で取り囲め Coro 死を、死を、残忍な暴君に 死を、死を、この悪辣な裏切り者に Duca ああ周囲にとどろくこの声は？ 何が俺に起こっている？…俺はどこにいる？…俺に救いは？… ああこんな魂が凍りつくことが俺にいきなりやってくるとは、 ありえない恐怖に俺がぞっとさせられるとは？ （ジョルジョに） 俺を裏切ったな！おお運命の暴君よ！ （トルヴァルドに） おまえは幸せ者だ！おお俺の野蛮な愛情は！ 根付こうとしていたのに！…ああ無慈悲な俺の運命！ 俺を殺すのは癇癪でも激怒でもないのか？ お願いだから、俺を死から引き戻してくれ、 厳格に成し遂げたおまえの運命で。 百人の亡霊がいま俺の周囲に立っている、 千人のフリアイが俺を責めつけに来る、 ああ厳しく無慈悲な俺の運命は あらゆる死よりも酷いように思われる Coro 死を、死を、残忍な暴君に 死を、死を、この悪辣な裏切り者に （公爵は兵士たちに取り囲まれて退場） Giorgio （兵士たちを率いながら） ああいいか、あいつを引っ立てろ、 あいつをしっかりきつく縛り上げろ あの憎むべき悪人は まだ俺のことを震えさせる Dorliska e Torvaldo 慈悲ぶかき運命に感謝します われらは完璧に幸せです。 ああこの胸に来て、 胸の震えを止めましょう Carlotta e Giorgio 慈悲ぶかき運命に感謝します いまは完璧に幸せです。 ついに平穏な時が 私たちに始まるのを見ましょう Tutti 急いで、急いで、陽気に いまこそ、この門の外から とても楽しい風が 吹いてくる。 嵐は過ぎ去り、 平穏な日々が戻って来るだろう いまは辺りに 平和と歓喜が鳴り響くのだけを聞こう Fine Atto Secondo Sotterraneo del castello. Scala nel fondo. Scena prima Giorgio con lanterna in mano introducendo nel sotterraneo vari servi del Duca; indi Torvaldo Giorgio Bravi, bravi qua venite; niun ci vede mi seguite. Qui senz’ombra di sospetto parlerem con libertà. Coro Qui senz’ombra di sospetto parlerem con libertà. Giorgio Qui si tratta, cari amici, di salvar que’ due infelici; vendicarci in conclusione di quel can, di quel briccone. Che ne dite? Coro Siamo qua. Padron Giorgio, non temete; di noi tutto disponete questa barbara oppressione una volta finirà. Giorgio Questa volta, cospettone, non la scappa in verità. Or ben; già qualche cosa vi dissi il resto or vi dirò; ma dove il nostro prigionier s’è mai cacciato? Ah ah! del nuovo alloggio gli appartam enti passerà in rivista. Eccolo qua. Torvaldo (si arresta vedendo i servi) Oh mio… Giorgio Parlate pure con tutta libertà, senza spavento; qui siam tutti per voi d’un sentimento. Torvaldo Dunque… Giorgio In poche parole la signora già di tutto è istruita a voi pocanzi il più feci anche noto; attenti dunque al resto sessanta granatieri in nostro aiuto qui son tra poco all’imbrunir del giorno dell’arrivo il momento è concertato. Tutto in armi è d’intorno al comparir di quella brava gente un fischio, e immantinente la campana a martello, si spalancan le porte del castello, i contadini, i granatieri, noi, insomma, pria di notte il colpo è fatto. Ah che ne dite? Torvaldo Il Ciel lo voglia; ma… Giorgio Che ma?.. Torvaldo Se quel crudele attenta alla mia vita? Giorgio Oh cospettaccio! Vorrei ben veder questa! Della prigion le chiavi non escon di mie mani; s’ei qui viene verrò anch’io, non temete. Torvaldo Ah dimmi intanto, caro, che fa la dolce mia consorte in balìa di quell’empio… Giorgio Oh questo poi… per bacco! vostra moglie è una donnina che soggezion non ha di brutti musi. Or basta; io torno sopra voi state di buon animo. Torvaldo Ah, un istante odimi; ah tu di me, mio buon amico, dalle novella; dille che lei sola ho nel core, che sol per lei m’affliggo, che a nome ognor la chiamo. Dille… Giorgio Ho inteso. Torvaldo No, ascoltami. Giorgio Sentiamo. Torvaldo Dille che solo a lei rivolto è il pensier mio dille che sol desio vederla, e poi morir. Morire in sua difesa, morir con alma forte… No, non parlar di morte; risparmia il suo martir. Giorgio Dunque, io vado… Torvaldo Ah senti! Giorgio Oh flemma! Torvaldo La mia sposa, i giorni miei, cari amici, ah difendete! Giorgio e Coro Sarà salva, non temete, qui per voi si pugnerà. Torvaldo Ah potessi il braccio mio oggi anch’io d’un ferro armar! Mi vedreste su quell’empio morte e scempio fulminar. Giorgio e Coro Non temete noi quell’empio noi saprem per voi domar. (Partono.) Appartamento del castello. Scena seconda Duca, indi Giorgio, infine Dorliska dalle stanze a sinistra Duca No, pentirsi non giova il dado è tratto. Ella sì, sarà mia. A’ miei disegni chi resister potrà? Possente ovunque, paventato è il mio nome; a’ nostri giorni l’oro può tutto; ed oro a me non manca; ad altre più difficili imprese seppi aprirmi la via. Ed or che in pugno ho la vittoria, il campo ceder potrei da vile?.. ah no; sia lungi ogni inutil timor colpe, rimorsi, nomi vuoti di senso io non vi curo; mi chiami il volgo insano vile, tiranno, scellerato ed empio sì, degl’empii felici io son l’esempio. Ehi. Giorgio Pronto a’ suoi comandi. Duca Dorliska a me. Giorgio La servo. Duca (richiamandolo) Ehi.- Bada bene! Della prigion la porta sia chiusa a tutti, intendi?.. o la tua testa… Giorgio Non serve altro; ho capito. Non dubiti, signor sarà servito. Duca (verso Giorgio che torna a incamminarsi verso le camere di Dorliska) Balordo! Giorgio (tornando indietro) Dice a me?.. Duca Bestia!.. hai ragione ch’ei cadde in mio poter… Se ciò non fosse povero te!.. ma come al suolo estinto io crederlo potei! e come io stesso nol riconobbi!.. Giorgio (riprendendo coraggio) Eh certo io non ne ho colpa. Mai non l’avea veduto, e poi per bacco ad abbordar mi venne con certa aria patetica con un certo discorso inzuccherato che i primi furbi avrebbe intrappolato. Duca Non più venga costei. (Giorgio entra nelle camere di Dorliska.) Sì, questo mezzo è il più spedito ove dolcezza è vana giovi il timor. (Esce Dorliska accompagnata da Giorgio e da Carlotta. Il Duca accenna a questi due di partire. Giorgio parte per la porta di prospetto; Carlotta rientra nelle camere di Dorliska.) Dorliska; di Torvaldo è cara a voi la vita? Dorliska (Empio!) Duca Tacete?.. Io parlerò per voi. M’udite, in brevi detti chiaro favellerò. Mezzo possente a me non manca onde ottener disciolto il nodo marital, che a mio dispetto a Torvaldo vi strinse. Ove Dorliska consenta ad esser mia Torvaldo è salvo ove ricusi, ei muore. In mie mani riposta è la sua sorte da voi dipende or dargli vita o morte. Dorliska Che sento mai! qual nuovo eccesso! ah iniquo. Anima rea, più rea di quante al mondo anime scellerate… Duca Ad altro tempo i rimproveri acerbi; il tempo è questo di risolver. Dorliska Non più di mie sventure tu fosti il primo autor compi, crudele, l’opra nefanda, e colpe a colpe aggiungi. Cada sull’innocente, cada, se vuoi, la tua vendetta atroce! Odio eterno, feroce io ti giuro… Duca Rifletti; ti pentirai… Dorliska Pentirmi?.. ah no!.. giammai! Duca Senti… Dorliska Taci, non più, t’intesi assai. Ferma, costante, immobile nel mio pensier son io. Sempre dell’odio mio, sempre sarai l’oggetto! Quel tuo feroce aspetto spavento, orror mi fa. O Numi clementi, che il cor mi vedete, fra tanti cimenti deh voi mi reggete, mi date valor. Duca Dunque? Dorliska Invano. Duca Sconsigliata! Tu resisti?.. Ah tu non sai qual t’attende infausta sorte! Dorliska Parla Duca Trema! Dorliska E qual? Duca La morte. Dorliska Ah venga una volta, la morte sol bramo la chiedo, la chiamo; che tarda? che fa? Ah!.. morir per caro sposo, per serbargli fedeltà! Della vita, più gradita questa morte a me sarà. Un istante a un’alma amante più felice amor non dà. (parte) Scena terza Duca, indi Giorgio Duca Insensata!.. e non vede che a me resiste invan!.. (passeggia pensieroso) Giorgio! Giorgio Signore. Duca Quando fia di ritorno, Ormondo venga a me. Nelle mie stanze l’attendo. Ehi, tel ripeto della prigion le chiavi non escan di tue mani. Giorgio Oh, sia tanquillo eccole qua. (le mostra alla sua cintola) Duca Bada se il cenno mio da te d’un punto solo è trasgredito la tua testa va in aria. Giorgio Eh! ho già capito. (Il Duca parte.) Scena quarta Giorgio, indi Dorliska e Carlotta Giorgio Va’ là, che vuoi star fresco! Ah se il colpo riesce che giubilo, che festa!.. ma, m’inganno?.. (vedendo Dorliska e Carlotta) Dorliska Giorgio!.. Giorgio Signora mia. Dorliska Ah delle mie sventure se un senso di pietà ti parla in core, tu mi soccorri… assistimi… Giorgio Cospetto! Potete dubitarne?.. per voi sola mi trovo in questo imbroglio. Dorliska Ah sì! nel tuo soccorso molto io m’affido, ma se intanto… oh Cielo!.. se il mio persecutore… Giorgio Ebben?.. Carlotta Di suo marito per la vita ella trema. Dorliska Ah l’infelice. Chi sa sul mio destino, sulla sua sorte a quante smanie è in preda. Giorgio Non temte lo sposo per or correr non può sventura alcuna. Ei sta chiuso io l’ho in guardia; ecco le chiavi. Dorliska Ah per pietà; mio caro, un sol momento fa’ ch’io lo veda! Giorgio Oh questo poi!.. Dorliska Ricusi a una dolente sposa, a un innocente oppresso un sì lieve conforto?.. Ah tutti, tutti con me sono inumani, tutti crudeli?.. Giorgio Oh non è ver, sentite… (Vedi, che tentazione!.. il Duca adesso è ver ch’è nel suo quarto… ma se torna… non vorrei…) oh no, no. Dorliska Ah me infelice! Carlotta Oh via, la conducete. Giorgio Io?.. non sia mai! cospetto e se il Duca mi cerca?.. Carlotta Ebben, con lei anderò io. Dorliska Sì, sì. Carlotta Via, siate buono. Dorliska Un quarto d’ora. Carlotta Oh men dieci minuti. Dorliska Signor Giorgio!.. Carlotta Fratello! Dorliska Per pietà! Giorgio Basta, basta; (che serve?) eccole qua. (dà le chiavi a Carlotta) Ma per amor del cielo… Carlotta Sì, presto torneremo. Andiamo. Dorliska Andiamo. Cara, m’affido a te. Carlotta Non dubitate. Dorliska Tu mi consoli. Carlotta Oh spero che presto consolata appien sarete il core, il cor mi dice che presto fine avran le pene e i guai. Quando a me parla il cor, non sbaglia mai. Una voce lusinghiera risuonar m’intesi in core, che diceva Spera, spera, il destin si cangerà. Quell’affanno, quel dolore presto, presto passerà. Via! Non piangete - Lo rivedrete gli parlerete - con libertà. (a Giorgio) Non dubitate - Presto torniamo. (a Dorliska) Via consolatevi - per carità. (Mi vien da piangere - non posso reggere, povera diavola - mi fa pietà. Son troppo tenera - troppo sensibile verso la misera - umanità.) Scena quinta Giorgio, indi il Duca Giorgio Non so se ho fatto bene, non so se ho fatto male orsù; che serve? Or pentirsi non giova; alfin tra poco sarem tutti contenti. Non v’è più che temer. Tutto è disposto; la notte s’avvicina da bravo generale ho tutti ispezionati i miei posti avanzati sentinelle per tutto ah se il gran colpo, se il gran colpo riesce, in verità Duca il mio caro… oh diavolo! egli è qua. (Il Duca sarà entrato senza che Giorgio se ne avvedesse e si sarà posto a sedere pensieroso.) Duca (alzandosi) Ah non posso! invan lo spero! Non m’inganna il mio pensiero. Finché ei vive, io tento invano un istante respirar. Tutto è pronto ferro e mano; saria colpa il dubitar. Giorgio Oh che ciera annovolata! Tace e freme!.. oimè che occhiata! La burrasca da lontano io già sento borbottar. Sarà meglio piano piano con prudenza il tacco alzar. (in atto d’andarsene) Duca Così si faccia.- Giorgio. Giorgio Signore. Duca Della prigione - le chiavi a me. Giorgio Le chiavi?.. (diavolo!) - Ecco ah ci sono! (Ah chi mi salva? - Povero me!) Duca Ebben? Giorgio (imbarazzato) Le cerco. - (fingendo ricordarsi) Ve’ che balordo. Nella mia camera - or mi ricordo dentro un armadio - chiuse le avrò. Ma non temete… - Oh ve lo giuro, nelle mie mani - sono in sicuro nemmeno il diavolo - trovar le può. Duca Presto. Le voglio. - Giorgio Vado. (Che imbroglio! Ah se potessi - fuggir di qua!) (incamminandosi verso il fondo della scena) Duca (avvedendosi) Ma tu cospetto - or là che fai? Alla tua camera - di qui si va. Giorgio Ah è ver! che bestia - Vado e ritorno. (Qui non v’è uscita - come si fa? Ah faccia tosta - qui ci vorrà. Fortuna aiutami - per carità.) (entra) (Il Duca resta pensoso per qualche momento indi rivolto di spalle alla camera dove entrò Giorgio ) Duca Sì, ch’ei muoia. Ormondo, Ormondo vibri il colpo in mia presenza. Sì, ho deciso. Giorgio (gettandosegli ai piedi all’improvviso) Ah Eccellenza… Compatite… perdonate… Ah pettegola… fraschetta… non ne ho colpa… ah maledetta! Duca Tu che dici?.. io non t’intendo! Giorgio Ah… le chiavi… ahimè… perdono!.. Duca (sdegnato) Che?.. le chiavi?.. Giorgio Non ci sono. Duca Che le ha prese?.. Giorgio Mia sorella… Duca (fiero) Non ci sono!.. tua sorella?.. Ah canaglia, mascalzone, traditore, vien con me. Giorgio Ah signore, compassione… Me meschin… che fate?.. ahimè? Duca Se s’avvera il mio sospetto ti vo’ far sotto un bastone accoppato, disossato, stritolato, all’altro mondo per le poste galoppar. Giorgio Ma sentite… (maledetto!) me meschin! sotto un bastone? Accoppato? disossato? (Ah da questo furibondo chi mi viene ora a salvar?) (Partono per la porta di prospetto. Il Duca strascinerà Giorgio con violenza.) Carcere. Scena sesta Torvaldo e Dorliska, in atto di dividersi, e Carlotta Dorliska Dunque tu vuoi ch’io parta? Torvaldo Sì, l’esige la tua, la mia salvezza. Dorliska Ah che in lasciarti sento squarciarmi il core in questo stato, in dubbio di tua sorte, fra speranza e timor, pena e desio, ah spiegarti non so l’affanno mio. Quest’ultimo addio ti parli per me. Torvaldo Ah taci, ben mio io tremo per te. Dorliska Che istante funesto! Torvaldo Che affanno è mai questo! Dorliska e Torvaldo L’affanno di morte più crudo non è. Carlotta Ma via, signori miei, finiamola una volta affé, se il Duca sa che qui vi ho condotta e il diavol qua lo porta in sua malora, povera me! quell’orco mi divora. (sempre in atto di spiare verso la porta) Dorliska Dunque… Torvaldo Non più, coraggio. L’amico Giorgio pria che il sol tramonti ne promette salvezza. Al ciel si lasci di noi la cura. Il ciel clemente e giusto… Carlotta (da lontano) Ah disgraziata me! Torvaldo Che?.. Carlotta (spaventata) Il Duca!.. ah ch’io lo dissi! Torvaldo Che sento!.. Dorliska Giusto cielo! Miseri noi! Torvaldo Coraggio. Carlotta Io son di gelo. Scena settima Il Duca, trascinando con violenza Giorgio ed entrando impetuosamente, indi Ormondo con armati Duca Alme ree!.. tremate!.. invano di fuggirmi voi tentate; traditori, omai tremate, vi raggiunse il mio furor. (a Dorliska) Voi signora, in queste porte? (a Torvaldo) Tu fuggirmi?.. (a Giorgio e Carlotta) Voi tradirmi? Miei nemici tutti siete, qui morir tutti dovrete sazierete il mio furor. Dorliska Ah signor, la rea son io, tutto il fallo, ah tutto è mio mi credete, vi calmate, non per me, per lui pietà. Duca (a Dorliska) Con que’ pianti lusinghieri di sedurmi invan tu speri; alme inique, scellerate, no, per voi non v’è pietà. Torvaldo Non è ver, l’accieca amore, d’ogni mal son io l’autore; mi credete, m’ascoltate, non per me, per lei pietà. Carlotta Che impensato avvenimento! Che paura!, che spavento! Ah sentite! vi calmate! Ah signor, per noi pietà. Giorgio Ah l’affar per me s’imbroglia! Tremo già come una foglia! Ah di me non vi scordate, ah signor, per me pietà. Duca (a Dorliska) Vieni. Dorliska e Torvaldo Ferma. Duca Invano. Torvaldo (fiero) Indietro! Duca (avventandosi, a Torvaldo) Tu risisti?.. indegno. Gli altri Ferma. (Si ode il suono d’una campana a martello.) Tutti (eccetto Giorgio) Qual suono è mai questo! Ah sogno!.. son desto!.. Che deggio pensar. Giorgio (con eccesso d’allegria e fuor di sé) Evvia! ci siamo! Gli amici son qua. (a Torvaldo) Coraggio. (a Dorliska) Coraggio, il gioco fra poco finito sarà. Duca Tu gioisci?.. e d’onde?.. oh rabbia! Mori, iniquo traditor. (investe Giorgio con la spada nuda) (In questo esce il coro con Ormondo.) Ormondo e Coro Presto, signore, - Presto, correte, vi difendete - per carità. Duca Che avvenne mai? - Ormondo Ah vi son guai! Tutto il villaggio - vi chiede a morte; i vostri servi - apron le porte cento soldati - già sono entrati e si combatte - senza pietà. Duca Che sento!.. oh rabbia! (strappando dalle mani di Carlotta le chiavi, e dandole a Ormondo) Tu prendi. Io volo. Tu resta in guardia - di queste porte salvami, o sorte, - o mio valor. Non giubilate - di me tremate, fra pochi istanti - farò ritorno, il vostro sangue - in questo giorno la mia vendetta - saziar dovrà. Dorliska e Torvaldo Ecco il momento! - Che smania io sento! Quai colpi orribili - suonan d’intorno! Ah dalla sorte - di questo giorno la nostra sorte - dipenderà. (Parte il Duca con Ormondo e gli armati.) Scena ottava Torvaldo, Dorliska, Giorgio, Carlotta, indi Ormondo Dorliska Ah di noi che sarà? Torvaldo Mia cara, omai io più non temo. Giorgio Oh anch’io ma ancor non dico quattro; ecco ci intanto nella trappola tutti. Ormondo (inginocchiandosi innanzi a Torvaldo presentando le chiavi e la sua sciabola) Ah miei signori, salvatemi la vita ecco le chiavi, ecco armi se volete; difendetevi; pur ma… Torvaldo Sì, le chiavi; quell’armi a me. Tu salvo sei, lo giuro. Dorliska, Carlotta e Giorgio Ma dove?.. Torvaldo In un istante qui son fra voi; finch’io ritorno… (accenna a Giorgio di assister Dorliska, e parte) Dorliska Oh cielo! Giorgio Non serve altro. Dorliska Ahi Torvaldo! Carlotta Oh che paura! Giorgio (ad Ormondo) Ma insomma, il Duca?.. Ormondo Il diavol che lo porti! Or per lui ci troviam nel brutto imbroglio. Nel corridor che guida di quest’oscuro carcere all’ingresso da ogni parte assalito si difende, ma invan… Dorliska Cresce il rumore. Carlotta Ah dove ci salviamo?.. Coro (di dentro) Dagli, dagli. Giorgio Cospetto! Dorliska Ahimè! Ormondo Ci siamo. Scena ultima Il Duca entra precipitosamente difendendosi da Torvaldo e da gran numero di contadini e soldati, che l’inseguono armati Coro Dagli… Duca Indietro. Torvaldo (disarma il Duca) T’arrendi; sei vinto. Duca Oh furor! Torvaldo Di catene sia cinto. Coro Morte, morte al crudele, al tiranno; morte, morte a quel vil traditor. Duca Ah qual voce d’intorno rimbomba? Che m’accade?.. ove son?.. chi m’aita?.. Ah qual gelo sull’alma mi piombna, che mi agghiaccia d’insolito orror? (a Giorgio) Tu tradirmi! oh destino tiranno! (a Torvaldo) Voi felici! oh mio barbaro affanno! Io fra’ ceppi!.. ah spietata mia sorte! Né m’uccide la rabbia, il furor? Per pietà, mi traete alla morte, del mio fato compite il rigor. Cento larve già intorno mi stanno; mille furie straziando mi vanno, ah la cruda spietata mia sorte d’ogni morte mi sembra peggior. Coro Morte, morte al crudele, al tiranno; morte, morte a quel vil traditor. (Il Duca parte circondato da’ soldati.) Giorgio (a’ soldati che lo conducono) Per bacco, seguitatelo, legatelo ben stretto quel ceffo maledetto ancor mi fa tremar. Dorliska e Torvaldo Grazie al distin pietoso noi siam felici appieno, deh vieni a questo seno, cessa di palpitar. Carlotta e Giorgio Grazie al destin pietoso, or son felice appieno. Alfine un dì sereno vedrem per noi spuntar. Tutti Presto, presto, allegramente, fuori ormai da queste porte, ed un’aura più ridente su, si vada a respirar. E’ passata la tempesta, ritornò sereno il giorno, sol s’ascolti omai d’intorno pace e giubilo echeggiar. Fine To the extent possible under law, TRASIMEDE has waived all copyright and related or neighboring rights to the Japanese text above. This work is published from Japan. Rossini,Gioachino/Torvaldo e Dorliska
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* ｜Creole languages｜ 言語類型 現用言語 使用文字 type living language writing system ISO 639-3 【hca】 言語名別称 alternate names Andaman Hindi 方言名 dialect names 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue
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1 SAFETY1.1 Helping Those in Danger 1.2 Life-Saving Equipment and Personal Flotation Devices 2 FAIR SAILING 3 ACCEPTANCE OF THE RULES 4 DECISION TO RACE 5 ANTI-DOPING 1 SAFETY 1.1 Helping Those in Danger A boat or competitor shall give all possible help to any person or vessel in danger. 解説 No Data 1.2 Life-Saving Equipment and Personal Flotation Devices A boat shall carry adequate life-saving equipment for all persons onboard, including one item ready for immediate use, unless her classrules make some other provision. Each competitor is individually responsible for wearing a personal flotation device adequate for the conditions. 解説 No Data 2 FAIR SAILING A boat and her owner shall compete in compliance with recognized principles of sportsmanship and fair play. A boat may be penalized under this rule only if it is clearly established that these principles have been violated. A disqualification under this rule shall not be excluded from the boat’s series score. 解説 No Data 3 ACCEPTANCE OF THE RULES By participating in a race conducted under these racing rules, each competitor and boat owner agrees (a) to be governed by the rules; (b) to accept the penalties imposed and other action taken under the rules, subject to the appeal and review procedures provided in them, as the final determination of any matter arising under the rules; and (c) with respect to any such determination, not to resort to any court of law or tribunal. 解説 No Data 4 DECISION TO RACE The responsibility for a boat’s decision to participate in a race or to continue racing is hers alone. 解説 No Data 5 ANTI-DOPING A competitor shall comply with the World Anti-Doping Code, the rules of the World Anti-Doping Agency, and ISAF Regulation 21,Anti-Doping Code. An alleged or actual breach of this rule shall be dealt with under Regulation 21. It shall not be grounds for a protest and rule 63.1 does not apply. 解説 No Data